Innervations Dance Cooperative is an innovative Chicago company currently presenting work from two projects. The first is part of a new initiative that Elisa Carlson, one of the Company's Artistic Directors, told aotpr about recently; it's called IDC SPEAKS, and it's a new touring and outreach program. IDC SPEAKS is bringing two productions to Chicago area schools: the first is Gods, Monsters, and Heroes, which tells Greek mythology through movement, set to contemporary pop/rock music. The second is Everyman, which tells the medieval morality play by the same name, set entirely to Led Zeppelin.
The best place to catch an IDC performance if you're not lucky enough to be at one of the schools they're touring is at Dance Chicago: The company will be performing four pieces at the month-long festival: Crooked by Mandy Work (Jazz Cabaret, Sunday, November 6 at 3:00pm), Three by Molly Beck (New Moves B, Thursday, November 10 at 8:00pm), Got You by Stephanie Unger (New Moves C, Wednesday, November 16 at 8:00pm), and The Tale of Apollo and Orion by Michael Sherman (Dance Carnival, Thursday, November 17 at 8:00pm).
For more about IDC, by all means check out innervationdance.org and their facebook.
4dancers.org is a great, broad-based dance site that brings together a number of different perspectives on the world of Dance. Johnny Nevin has joined the site as a monthly columnist, writing about Music and Dance. His third article just posted there, about Finding Music, and you can check out these links for his first two articles: Choosing Music For Choreography, and Music and Dance: An Introduction. There are a number of regular features at 4dancers well worth keeping an eye on; one of them is the series "10 Questions With ...", where Editor Catherine L. Tully engages different people from the world of Dance; her interview with Johnny Nevin is at 10 Questions with John Nevin.
Choreography is such an active art form that people don't always hear about how much thought goes into its creation, and yet much of what makes Dance so compelling is that an art form whose expression is so physical is the product of such careful thought. This is of course true of the choreographers and dancers, but there is also a rich and careful creative process behind all of the complexities of beginning, maintaining and inspiring a Dance Company, and in the presentation of each of their concerts. Here are some thoughts from Ginger Jensen, the Artistic Director of Renegade Dance Architects.
About the Concert "What Is Home To You": "I like to ask questions of our audiences, as I feel this makes them more a part of the process. Last year's concert was "What makes you extraordinairy?" ... This year's idea of home is another universal idea, that largely differs depending on who you ask. People have replied that home is a place where they can truly be themselves, where they aren't afraid to make mistakes, where there is comfort, where there is love."
Renegade Dance Architects is a new Chicago dance company with an innovative emphasis on creating accessible new dances in what they describe as "a healthy environment for dancers and choreographers". The Company is presenting four performances of "What Is Home To You" October 6 and 7 and again October 13 and 14 at the Hamlin Park Fieldhouse Theater (3036 N. Hoyne Ave, Chicago).
What Is Home to You will feature new works by Molly Beck and Stephanie Unger, Amy Williams, and Artistic Director Ginger Jensen, as well as Jensen's audience favorite "Forgiveness, Not Permission". Peformances are at 7:30PM each night, and tickets are available from brownpapertickets.com
As challenging as it is to express an artistic vision, only slightly less difficult is trying to get anybody to pay attention when you do. One of the important artistic aspects of Thodos Dance Chicago's New Dances series is that all of the best critical voices in the city take the time to see the works and write about them. Here's some of the coverage for New Dances 2011 -- enthusiastic, engaging, and like most criticism, multifaceted:
Hedy Weiss, Chicago Sun-Times
Sid Smith, Chicago Tribune
Zachary Whittenburg, Time Out Chicago
Laura Molzahn, SeeChicagoDance.com
There's a well-known dance theater whose web site describes with pride -- and justifiably so --- how more than twenty new choreographic works have been commissioned by the space over fifteen or so years. An impressive accomplishment, considering the complexity and challenge of sponsoring and staging even a single new work. It puts into vivid perspective, though, the incredible achievement of the Thodos New Dances series, which in its eleventh year is approaching its one hundredth new work, many of which have gone on to achieve impressive success beyond the New Dances program.
The process that transmutes an idea from experimental to iconic is long and improbable, and a careful look through the program for the ever-more-impressive 2011 edition of New Dances gives some idea of what that process involves. It requires a substantial community of shared enthusiasm, working hard to make everything work successfully.
In a great article called Together With A Gift at 4dancers.org, Kimberly Peterson talks about the latin roots of the word "communiity", which comes from the latin words for "together" and "gift". New Dances 2011 is a community of more than forty dancers, ten choreographers, a distinguished advisor panel, the Thodos Dance Chicago staff and technical organizations, and several independent lighting, sound and costume designers. Over its eleven year history, New Dances has probably been the shared creation of four or five hundred artists, and now regularly performing to packed houses, in its various editions it has played to an audience several thousand people too large to fit in any dance theater. It's an astonishing achievement, of course in the multi-faceted success of nine different choreographic visions, but even more significantly, in the multidimensional gifts shared by the unique community that makes it happen.
Jacqueline Stewart describes Jaxon Movement Arts as "a project-based company that creates dance art inspired by current events and active collaborations with adjacent artistic mediums". The full-length work Dance Gallery 2011 is an especially successful expression of this philosophy. Presented in collaboration with JMT/JLS choreographer Jessica Miller Tomlinson, Dance Gallery 2011 is an embracing journey through the myriad landscapes of artistic collaboration. Naturally, like the JMT/JLS 2010 production that was the first coproduction by the award winning choregraphers, Dance Gallery 2011 moves through the series of unique choreographic visions that Stewart and Tomlinson always manage to conjure. Unique to this project though was the presentation of Concert as Gallery, with each individual work set in a different section of the art gallery-style space. The inevitable interaction between a constantly-moving audience perspective and the inspired performances highlighted ever more vividly the richness of collaborations --- dance, production, design and performance --- woven into the work.
Each year, the United States announces the selection of 141 outstanding high school seniors as U.S. Presidential Scholars -- a tremendous accomplishment for each of the young people recognized. Twenty of those honored are Presidential Scholars in the Arts, and in 2011 Max Perkins, a brilliant young performer and member of aotpr.com-favorite Extensions Dance, was named by Secretary of Education Arne Duncan as one of only two dancers selected from among several thousand candidates around the country. Each U.S. Presidential Scholar is invited to nominate his or her most inspiring and challenging teacher to travel to Washington, D.C., to receive a Teacher Recognition Award from the U.S. Department of Education and to participate in the award ceremonies, which take place at the White House and the John F. Kennedy Center for the Performing Arts. Joining Max in D.C. and receiving a 2011 U.S. Presidential Scholar Program Teacher Recognition Award is Extensions Dance Company Artistic Director, Lizzie MacKenzie.
To be selected for such an award from such a vast number of talented candidates is of course extraordinary, but in a remarkable way, maybe not all that surprising to aotpr.com. We know Max Perkins' work from his performances with Extensions Dance, and the quality of his contribution to everything we've seen him be a part of has always been extraordinary. "Passion" and "Intensity" are words that are often used to describe an exceptional dedication to artistic expression, and although they could be used to describe Perkins' work, neither word does so adequately. Both "passion" and "intensity" imply a commitment to artistic effort, but in ways that are often either intermittent or short-term. A more complete description of Perkins' work has to include that unusual quality that some artists achieve when an exceptional level of commitment is maintained continuously, in rehearsal as in performance, in struggle as in success. It's a quality that transcends the drama of passion and the transience of intensity, but achieves the mesmerizing artistic effect of both, and Max Perkins brings that quality to everything we've seen him do.
Extensions Dance will perform May 22 and May 28 at the Ruth Page Center for the Arts in their Extensions 2011 Showcase.
For seventeen years, Dance For Life's Next Generation has showcased the work of the very best young dance companies. The concert is a major project in support of The Dance For Life Fund and The Children's Place Association, and this year's show at the Sang Theater was more than impressive. DFL's Next Generation is an extravagantly generous display of talent and accomplishment --- eighteen diverse and compelling works by twenty choreographers, performed by ten companies, it would hardly seem right, and probably wouldn't be possible to try to identify standouts from such a successful event. The show featured The Arlington Dance Ensemble, The Chicago Academy for the Arts, Chicago Ballet Arts, Civic Ballet of Chicago, Dance Exchange, aotpr.com and 'ohana Dreamdance friends Extensions Dance (and for more about them check out some of our stories about Extensions and about Artistic Director Lizzie MacKenzie), Forum Jazz Dance Theatre, Loyola Academy, Matrix and Wheeling HS Orchesis. If you missed this year, make plans for next year, or better yet, see if you can see any of these companies before then.
The Thodos Dance Chicago Winter Concert, featuring major new works by Ann Reinking and Melissa Thodos ("The White City: Chicago's Columbian Exposition of 1893") and by multi-talented choreographer Ron De Jesús ("Shift"), has received a very impressive crictical response. The show begins with Reinking and Thodos's work, and in the second act, which closes with "Shift", audiences also get to see the return of two audience and critical favorites from 2010 New Dances series: "Quieting the Clock" by Francisco Avina and Stephanie Martin-Bennet, and "Dancer, Net (Solo 1)" by Wade Schaaf, as well as a second world premiere by Thodos, "Getting There", a sequel to the signature work that began her choreographic career. Here are some excerpts from a few of the reviews:
Hedy Weiss, The Chicago Sun-Times: "The program, whose second act contained four other works of exceptional quality ... is a must-see for anyone intrigued by Chicago history, by the power of dance to spin a story, and by the sight of a dance troupe clearly in the throes of a major breakthrough.
... “The White City” is a sophisticated, utterly involving blend of ingeniously imagined, superbly executed movement (with echoes of everything from “The Green Table” ballet to Broadway’s “Ragtime”); ravishing music (Bruce Wolosoff’s seductive “Songs Without Words,” played thrillingly by the Carpe Diem Quartet, perched in a balcony box); film (clever use of archival material by Christopher Kai Olsen, with deft narration by Chris Multhauf); haunting lighting (by Nathan Tomlinson, whose artistry was on display throughout the evening), and period-perfect costumes (by Nathan Rohrer)."